At a farewell, a close friend leaves Wanyu his car and entrusts her to take care of it; her usual indifference is suddenly replaced by confusion. Anxious underneath a calm facade, she needs to deal with the car and another complicated problem.

Wing Kwong Street in To Kwa Wan was included in the scope of reconstruction by the Community Improvement Bureau and the demolition works will start soon. The "Kowloon Emperor" Ah Choi is aware that an evil spirit, "Guangde Princess" has been trapped under the ground in that area 400 years ago. She was murdered by the ancestor of Ah Choi during the post-war period and is ready to take her revenge. Ah Choi warned the Commummunity Improvement Officer, Ah Yat, that he must assist him in destroying the evil spirit, otherwise Ah Yat will face a tragic death. After experiencing continuous miserable accidents, Ah Yat is left with no choice but to begin his journey of hunting the evil spirit with Ah Choi.

In a staggered time and space, a pair of siblings, one an arsonist, the other a firefighter - an unusual relationship unfolds.

Set in a boarding school, school prefects are assigned by the authorities to maintain order at night - however they abuse their power for evil deeds. Head prefect “Shan” and “Smoker” take the lead in selling marijuana. It was a fine business, until a teacher found drugs in the locker of a classmate. In desperation, the classmate leaks the truth of the drug business! Shan, holding a grudge, takes revenge on the rat, but goes too far, causing bloodshed. In a world of violence and chaos, Smoker, with little conscience left, must choose between good and evil; meanwhile, the gap between prefects and the students would lead to an irretrievable conflict...

Decem had joined the right defending movement in Garan, his motherland. However, he was traumatised by the situation, and decided to live in the forest to get away from the conflicts. He is relieved in the beginning. But as time passes, nostalgia and loneliness creep upon him.

2019 in Hong Kong. Protests become our daily life. The stuff in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffiti on walls, unscrewed railings, bricks, respirators, safety goggles… Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. I let the objects play the narrators and tell us about the protests.

Memory Palace is a moving image work exploring memories attached to the personal objects of ethnic Chinese people in Manchester. These objects tell extremely personal stories that reflect the complexity of living between two worlds and navigating multiple identities, not only as an ethnic Chinese person living in the UK, but also as an LGBTQ individual, senior citizen, adoptee, artist, Eurasian, or first-generation immigrant. The work challenges conventional understandings of the Chinese community, questioning what it means to be an ethnic Chinese individual in this city and highlighting the great spectrum of identities beyond nationality.

Cheung Yuk Fan feels suffocated in Hong Kong after 2019. 2021 Summer, she resigns from her job as an arts administrator and rents a flat in a subdivided unit in an industrial building. She is determined to hide herself in this small world and start her own online trading business, forgetting about the distractions of the outside world. But one day, the beautiful sound of piano playing next door suddenly leads her into a realm of fantasy and illusion.